Step aside, Monterey Five – Mary Louise has arrived!
The season two premiere of “Big Little Lies” just graced our screens and if you’re still tingling with delight from Meryl Streep’s deliciously vicious introduction as Mary Louise Wright, trust in the fact that you’re not alone.
“I need to take a deep breath every time I talk to her,” star Reese Witherspoon recently dished to ET’s Lauren Zima when asked about working with “Big Little Lies'” newest addition. “It was intimidating, for sure.”
Not only did Mary Louise square off against Witherspoon’s Madeline Martha Mackenzie (twice!), she also showed audiences the perfect way of taking down Monterey’s pint-sized powerhouse.
“You’re very short,” Mary Louise says breezily in the premiere, while Madeline stood in a mixture of confusion and rage at an outdoor cafe. “I don’t mean it in a negative way.”
“Maybe I do,” the Wright family matriarch quickly and bluntly contradicts. “I find little people to be untrustworthy.”
According to Witherspoon, Mary Louise’s electric eccentricities will only grow more captivating as season two continues.
“I had to sometimes pull myself back and take a deep breath and go, ‘OK, she’s just a person. She’s just a human being.’ But it was a thrill. And to get to sit with her and talk about the script and work through scenes, it was just like, ‘Are you kidding me?'” Witherspoon continued. “As an actor, all my life worshipping her work, and she’s just as truthful and honest and genuine and fun-loving as you can imagine.”
But just how did Streep’s wonderfully outlandish portrayal of Mary Louise come about?
We’re spilling all the behind-the-scenes secrets about how the beloved actress was coaxed into joining the all-star cast of “Big Little Lies” and why Streep’s on-screen character was created.
Following Perry Wright’s (Alexander Skarsgård) shocking and, some would say, mysterious death at Otter Bay Elementary’s trivia night, his bereaved mother, Mary Louise, has moved to the seaside town of Monterey to help Celeste navigate her new life as a single parent.
As Mary Louise struggles with waves of grief and despair over the sudden loss of her son, Streep gifts viewers with a mesmerizing performance that’s delicately layered with anguish, suspicion, quirkiness and unsettling charm.
“Big Little Lies” author and producer of the hit HBO series Liane Moriarty revealed that the Wright family matriarch was “absolutely” handcrafted with Streep in mind.
“That’s why she’s called Mary Louise,” Moriarty explained at the “Big Little Lies” red carpet premiere in New York.
“In fact, in the beginning, I was calling her Meryl. Then I thought, “No, that’s too obvious. I’ll find out her middle name,” the author explained. “And then Wikipedia told me that her real name is Mary Louise and [that name] actually worked perfectly for the character.”
“I believe in these girls and that first season just blew me away, everything about it – the writing, the depth of the performances, the style, the music, the world was a whole world and I couldn’t wait to see where it was going to go,” Streep said.
“Big Little Lies” creator David E. Kelley confessed that he was both “daunted and liberated” by having the three-time Academy Award winner join the series for season two.
“Daunted because you’re all of a sudden writing for Meryl Streep, and that’s a pretty high bar to live up to, and liberated because right away this season, the equation was going to be totally different,” the showrunner revealed. “The one thing you want to avoid is just a do-over, you want to make sure season two is as vibrant and original and provocative as year one and having that character went a long way to launching this out of the gate.”
Looking ahead, Mary Louise’s desire to discover the truth behind Perry’s death is only going to grow stronger, while the Monterey Five continue to wrestle with their own postmortem demons.
“With any first season, you’re introducing the characters and getting to know them. Now we can dig deeper,” Moriarty explained, adding that the introduction of Streep’s character made the narrative “deeper and darker and more complex, but just as funny.”
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